Conversation: Cydney K. Seigerman

Arts Collaborative Conversation: Cydney K. Seigerman
Friday, February 9 at noon
Lamar Dodd Building Room S360

How can performance arts and sciences contribute to more holistic understandings of human-water relations?

Join Cydney K. Seigerman for a conversation about their field research in Brazil that incorporates community-based theatre techniques to better understand local water struggles. Seigerman is a doctoral student in Anthropology and Integrative Conservation exploring how socionatural processes shape and are shaped by the lived experience of water insecurity.

Hosted by the Arts Collaborative student organization.

Resources

Conquergood, D. (2002). Performance Studies: Interventions and Radical Research. TDR (1988-)46(2), 145–156. http://www.jstor.org/stable/1146965

Kondo, D. (2018). World-Making: Race, Performance, and the Work of Creativity. Durham and London: Duke University Press.

Madison, D. Soyini. (2010). Acts of Activism: Human Rights at Radical Performance. Cambridge: University Press.

Integrative Conservation Conference

Integrative Conservation Conference (ICC)
February 16-17

https://cicr.uga.edu/icc/

ICC 2024 will take place at the University of Georgia Special Collections Library, with some hybrid and online options. This year’s theme is New Visions for Conservation. Since the inaugural conference in 2018, ICC has brought students, researchers, and practitioners together to share their work and collaborate towards different futures for environmental conservation.

The 2024 conference objectives are to:

  • Create opportunities for all attendees to question and re-imagine our own practices.
  • Value and center multiple ways of knowing, doing, and being by bringing together perspectives both within and traditionally outside of conservation.
  • Provide opportunities for student engagement, mentorship, and peer support.
  • Cultivate visions of, and collaborations oriented towards, more just and livable futures.

Supported in part by the UGA Arts Collaborative.

Ground Works CFP

Ground Works Seeks Submissions to its 2024 Collection
https://groundworks.io/announcements/18

Exploring the possibilities of annual collections, Ground Works is pleased to invite submissions to a 2024 collection; Stage 1 submissions received by January 29 will be given priority consideration. All research projects that integrate the arts with other disciplines will be considered.

Ground Works is a compendium of projects, critically reviewed for their interdisciplinary research aims and impact. As part of the Alliance for the Arts in Research Universities (a2ru), select projects also receive further examination and analysis of the collaborative process in an effort to illuminate and understand the mechanisms and conditions that foster these innovative projects. Project contributors will work with a team from a2ru to rigorously articulate, document, and reflect on the modes of collaboration found within their work.

Treehouse Zine CFP

Treehouse Zine Issue 5
Call for Submissions
Deadline: February 14

https://treehousezine.com

Calling all artists, writers, creatives, explorers, and treehouse enthusiasts! All creatures great and small are encouraged to share their work.

Supported in part by the UGA Arts Collaborative.

Teaching Art, Design, and Media in the Age of AI

Monday, January 8 at noon
https://a2ru.org/event/teaching-art-design-and-media-in-the-age-of-ai/

As an a2ru member institution, UGA students, faculty, and staff are eligible for free registration and access to a2ru resources.

Presentations from the January 8 webinar “Teaching Art, Design and Media in the Age of AI” are available on the a2ru website. The presentations featured a variety of resources and activities to support faculty incorporating AI into their courses. 

The past year brought a tsunami of information about GenAI in the Arts, making is challenging to keep up for educators. What should Art, Design, and Media educators know about generative AI as they begin their Spring 2024 courses?

This webinar brings together educators, working artists, researchers, and technologists to provide actionable, concrete information on teaching in the age of GenAI.

Continue reading “Teaching Art, Design, and Media in the Age of AI”