ICE-Vision: Performance

ICE-Vision: Performance (Nicolas Roeg / Donald Cammell, 1970)
Thursday, September 16 at 8 PM
Lamar Dodd School of Art Room S150

Film Studies major Will Stephenson continues ICE’s informal weekly series, selecting a variety of world cinema classics and subcultural curiosities.

“Uncorked in 1970, Performance is a shocking crime thriller, a time-capsule of Swinging 60s London and a fizzy intellectual headtrip all whisked into one astonishing film….James Fox, Britain’s freshest rising star at the time, was so disturbed by his experience that he failed to act again for nearly a decade. Co-star Mick Jagger’s artistic slump started soon after. And 20th Century Fox couldn’t handle the finished movie either, delaying its release then hacking it apart in the editing room. As Turner explains, “The only performance that makes it, that really makes it, is the one that achieves madness.” A fascinating, psychedelic whirlpool.” -BBC

ICE-Vision: Ile Aiye


ICE-Vision: Ile Aiye (David Byrne, 1989)
Thursday, September 9 at 8 PM
Lamar Dodd School of Art Room S150

Film Studies major Will Stephenson continues ICE’s informal weekly series, selecting a variety of world cinema classics and subcultural curiosities.

“Ile Aiye is David Byrne’s breathtaking 1989 documentary on Candomble, the African-influenced spirit cult of the Bahia region of Brazil. . . Ile Aiye uses experimental film techniques, music, and cultural observation to express the life and rituals of Candomble and the symbolic manifestation of the Orishas, the deities which represent the wide range of natural and spiritual forces. The rhythms of the sacred drums and bells, a dance of spiritual ecstasy, offerings and sacrifices, divination and the visitation of the Orishas through trance are all part of the color and life of Candomble. Complemented by the original score from David Byrne recorded with Bahian musicians, the music in Ile Aiye includes ritual music recorded during ceremonies as well as popular Brazilian songs influenced by Candomble.” – DavidByrne.com

ICE-Vision: The American Friend

ICE-Vision: The American Friend (Wim Wenders, 1977)
Thursday, September 2 at 8 PM
Lamar Dodd School of Art Room S150

Film Studies major Will Stephenson continues ICE’s informal weekly series, selecting a variety of world cinema classics and subcultural curiosities.

“Gripping 1977 American thriller from Wim Wenders that turns back on itself with deadly European irony. Dennis Hopper is an international art smuggler, Bruno Ganz is a Hamburg craftsman. Together they commit a murder and briefly become friends. The film has a fine grasp of tenuous emotional connections in the midst of a crumbling moral universe. Wenders’s films (Paris, Texas; Wings of Desire) are about life on the edge; this is one of his edgiest.”
-Dave Kehr

Youth Development in Ukerewe, Tanzania, and Athens, Georgia

Youth Development in Ukerewe, Tanzania, and Athens, Georgia
UGA Public Service and Outreach
link to original article

Rachel Hagues and Hunter Parker returned to Ukerewe in the summer of 2010 where nearly 100 girls attended the Girls Talk program for two weeks on a daily basis. With Ambassador Mongella in attendance, the girls gave a final performance for the community at the conclusion of the program.

In 2006, Ambassador Gertrude Mongella, the first president of the Pan-African Parliament, visited UGA to articulate her vision for the improvement of living conditions in her district, Ukerewe, Tanzania. Since then, UGA faculty members have worked with Ambassador Mongella to develop programs and activities to improve conditions in Ukerewe. One of her strong convictions is that strides in economic development and health care will more likely be achieved if girls are empowered to have a higher sense of selfworth.

To address this specific issue, UGA partnered with Girls’ Talk, a Ukerewe organization led by local women to assist girls in personal and social development, to pilot a service-learning project in Ukerewe to provide a safe place where acting and skits could be used as an outlet for the girls to talk about issues affecting them. The project also helped the girls develop a support system with each other and with the women from the community, as well as find solutions and positive ways in which to address their challenges.

Rachel Hagues, a Program Coordinator for the Carl Vinson Institute of Government, and Hunter Parker, a graduate student in the Department of Theatre and Film Studies, implemented the program through games, activities, and journaling. Approximately 35 girls attended on a daily basis, both in 2008 and in 2009. The girls were given daily journal topics, which they completed during the session or as homework. Often, small groups were formed, and journal responses were developed into skits.

Hagues and Parker returned to Ukerewe in the summer of 2010 where nearly 100 girls attended the program for two weeks on a daily basis. With Ambassador Mongella in attendance, the girls gave a final performance for the community at the conclusion of the program.

The work of Hagues and Parker laid the groundwork for future expansion of the program. The University of Georgia faculty-graduate student team developed relationships with the women in the community, which will aid in building long-term trust for the program. Currently, the leaders of Girls’ Talk are working to implement the program in Ukerewe’s schools and to expand the activities to include sports, cooking and nutrition lessons, and environmental protection instruction.

ICE-Vision: The Big Combo

ICE-Vision: The Big Combo (Joseph Lewis, 1955)
Thursday, August 26 at 8 PM
Lamar Dodd School of Art Room S150

Film Studies major Will Stephenson continues ICE’s informal weekly series, selecting a variety of world cinema classics and subcultural curiosities.

“This 1955 film noir borders on total abstraction for most of its length and then achieves it in an astonishing final scene—a shoot-out in the fog that suggests an armed and dangerous Michelangelo Antonioni. Where the usual noir takes place in a nightmare world, this one seems to inhabit a dream: there’s no longer fear in the images, but rather a distanced, idealized beauty. With Cornel Wilde, Jean Wallace, Brian Donlevy, and Richard Conte; the director is Joseph H. Lewis (Gun Crazy). 89 min.”
-Dave Kehr