A New Dissonance

A New Dissonance: Translating Ben Johnston’s 10th String Quartet
2007-2008 ICE Project Grant
Jon Roy
Graduate Candidate
Lamar Dodd School of Art

A New Dissonance will document the preparation, rehearsal and performance of Ben Johnston’s 10th String Quartet, providing insight to the creative process of Johnston and his unique notation methods. Ben Johnston was born in Macon, Georgia in 1926 and studied with music legends Harry Partch, John Cage and Darius Milhaud. Johnston is currently Emeritus Professor of Music at the University of Illinois, where he taught composition and theory from 1951-1983. Jon Roy, an MFA candidate in Art, will combine his background in visual art, film and music to enable a historic staging of the composition by the Kepler Quartet in Madison, Wisconsin. Performed only once before, the 10th String Quartet has been developed further by Johnston using computer-generated MIDI realizations. Roy will translate the composition’s microtonal acoustical principals to other disciplines, such as film and color theory, making the the results available via the Web and DVD.

For more information visit: http://newdissonance.com/

Ben Johnston

Satellite Dishes, Moveable Walls, and a Snowscape

Maryn Vance

Satellite Dishes, Moveable Walls, and a Snowscape
2007-2008 ICE Project Grant
Jonathan Vance
Undergraduate Candidate
Computer Science

Satellite Dishes, Moveable Walls, and a Snowscape will explore the potential of multi-point interactive whiteboards using the Nintendo Wiimote, used in conjunction with live performance. The project will bring together a group of dancers, musicians, set builders, costume designers and lighting technicians, organized by Jonathan (BS candidate, Computer Science) and Maryn Vance (BFA Dance).

A sketch from the project will be performed during the Adventures in Mysticism Music Show on May 31 at ATHICA.

Elliott Earls Residency Catalog

Elliott Earls
at
The University of Georgia

32-page booklet designed by Elliott Earls documenting his UGA residency during October, 2007. Free copies available at the ICE Studio!

Elliott Earls first gained international recognition as a designer of digital typography in the 1990s and expanded his practice to include one-person performances utilizing interactive technology of his own design, earning a prestigious Emerging Artist Grant from The Wooster Group in New York. In 1995, Earls formed the Apollo Program, a studio devoted to experimentation with nonlinear digital video, spoken word poetry, music composition and design. Earls’ work has been shown in exhibitions and festivals around the world, and is featured in the permanent collection of the Cooper-Hewitt, National Design Museum, Smithsonian Institution. In 2001, Earls was appointed designer-in-residence and head of the 2-D Design Department at Cranbrook Academy of Art in Bloomfield Hills, Mich. While at Cranbrook his artistic practice has continued to broaden by using film production as a method to generate digital photography, sculpture, paintings, and the music of his band, The Venomous Sons of Jonah.

The Elliott Earls Residency is supported by the Willson Center for Humanities and Arts, Lamar Dodd School of Art Visiting Artist and Scholar Series, Lamar Dodd School of Art Galleries, Department of Theatre and Film Studies, Ideas for Creative Exploration (ICE), and Ciné.

For more information about Earls, visit http://www.theapolloprogram.com

The Athens Heritage Project

The Athens Heritage Project
2007-2008 ICE Project Grant
Paul Sutter
Associate Professor
History 

The Athens Heritage Project will share the uniquely varied history of Athens and its neighboring communities through a series of oral history-based theatrical productions. Professor Paul Sutter will work in collaboration with the Rose of Athens Theatre to conduct interviews with Athens residents representing many communities: African-American, Faith, Immigrant, Music, Old Town Athens, the University of Georgia and more. Their stories will be crafted into dramatic compositions using text, music, media and movement, creating an enduring living history for the city and its region.

May 3rd Reading at the Morton Theatre

 May 3rd Reading at the Morton Theatre

Theater presents stories from our community

May 3, 2008
Athens Banner-Herald
link to original article

Theater presents stories from our community
By April Moore Skelton

“If you take everything away: family, friends, your job … The only thing you have left is your stories,” says Lisa Cesnik, the producing artistic director of Rose of Athens Theatre. From that basic currency, the theater company has crafted the first installment of The Athens Heritage Project, a play based on the stories of area residents.

The idea for the plays came from the company’s mission statement, which seeks a diversity of voices and stories, says Cesnik.

Georgians seem especially adept at turning stories from members in the community into dramatic productions: “Swamp Gravy,” a play about rural life in south Georgia, has gained national attention since it was originally staged 15 years ago, and the Sautee Nacoochee Community Center made its own foray into the genre with a production titled “Headwaters” last year.

Productions based on stories from the community engage audiences in completely different ways from traditional plays, because citizens can see their histories come to life on stage.

“Theater can be so boring if it’s all about ‘Hey, we’re the performers and you are the audience,'” Cesnik says.

These kinds of productions have proven especially popular because they inherently involve so many members of the community. Cesnik says company members assembled a list of potential people to talk to, and then started making phone calls and knocking on doors, meeting people and doing interviews. From the material they collected, the script for the first staged reading came, though Cesnik says the group’s collecting is far from over.

“Our hope is this particular stage reading will spark interest,” she says.

Beginning with tonight’s performance, “The Heritage Project” is an effort Rose of Athens plans to continue for years to come. While collecting the oral histories for this first performance, it was clear Athens’ citizens have an abundance of stories to share.

“The crux of (collecting oral histories) is that we’re continuing to find them,” says Cesnik.

For this production, writers Lisa Mende and Shannon Rood, along with the rest of the company, went through the transcriptions of interviews and pulled out themes.

Since this performance will be part of this weekend’s annual Hot Corner Celebration, stories of downtown figure prominently, as does the “magic of living in Athens,” says Cesnik.

The play moves from “one exciting subject to a completely different subject,” she says, giving it a “slightly vaudevillian shape.” Media and dance lead viewers from one story to the next.

To be shown at the Morton Theatre, the play will share the histories of community members in a location that is itself full of history. Cesnik hopes the “hilarious, poignant, sweet” show will inspire viewers to open up with their own tales.

The saga of Athens involves so many interesting people, “it would be a shame not to share it,” she says.

History Lives at the Hot Corner Celebration

April 30, 2008
Flagpole Magazine
link to original article

History Lives at the Hot Corner Celebration
This Year’s Edition of the Annual Downtown Festival Kicks Off the New Athens Heritage Project

by Ben Emanuel

Athens’ annual Hot Corner Celebration – a festival highlighting the historic center of African-American business and culture at the corner of Washington and Hull streets – kicks off its ninth edition this Friday at the Morton Theatre. That night’s main event is a gospel concert at the Morton, with Huntsville, AL’s Gospel Imperials and local groups Devyne Inspiration and The Walker Brothers. Tickets are $14 in advance (available at Wilson’s Styling Shop, Wilson’s Hair World and Brown’s Barber Shop) and $18 at the door. Doors open at 6 p.m., and the show starts at 7 p.m.

Saturday is the day for the outdoor festival, held literally on the corner and beginning at noon, with speakers, food and entertainment throughout the day until 9 p.m. At 7:30 p.m. Saturday, the Morton plays host to a different type of performance – this one free of charge (though donations are appreciated) and put on by Rose of Athens Theatre company.

Over its last two installments, the Hot Corner Celebration has had a relationship with the new local non-profit professional theatre company, and this year’s Rose of Athens production will largely serve to anchor the event. In an effort termed the Athens Heritage Project, company members have been conducting oral history interviews with Athens residents of all ages. In what company founder Lisa Cesnik hopes will be an ongoing event far into the future, the troupe will present staged readings of transcribed oral histories; this first “sneak preview” will focus on the history of the Hot Corner and related topics, but over the coming years Rose of Athens plans to expand the project to all manner of subjects.

“The neat thing about the Athens Heritage Project is, because of it, Rose of Athens Theatre has the honor of hearing all these fascinating stories and bringing them to life in theatre,” Cesnik says. The cast for the show includes “core members” of Rose of Athens – contributing music, dance and displays of historic photos in addition to acting – as well as some new faces for the group, like local rapper Elite tha Showstoppa and Dr. Freda Scott Giles of UGA’s drama department.

Rose of Athens will have a booth set up at the festival for attendees to contribute their own stories to the project (“This is a script in progress,” Cesnik says with a smile), and over time all of the stories it collects will be archived in the Heritage Room at the Athens-Clarke County library. “What appeals to me about it is that these stories are going to – if we do our work right – that they will continue to live on,” Cesnik says.

And, says celebration organizer Homer Wilson, the festival is making a return visit this year to the 40 Watt Club, where it hasn’t had a formal presence since the late local blues musician Neal Pattman played a show there as part of Hot Corner in 2003. This year, the 40 Watt plays host to an after-party on Saturday night.