2003-2004 Project Grants Announced

Congratulations to the new recipients of 2003-2004 ICE Project Grants. A total of $16,500 was distributed in the form of partial support for six projects chosen by the ICE Selection Committee. The projects and lead applicants are as follows:

All Day and All Night (Kit Hughes), an interactive installation that explores the tenets of capitalism, marketing, technology, art on the primary framework of digital media.

E.L.I. Nomad (Christian Croft), E.L.I., or Electro-Linguistic Imaginator, is a mobile computer module that moves about unlikely environments speaking randomly generated poetry in exchange for new vocabulary words for his database. Through a series of public interventions, the E.L.I. artists will develop a documentary, website, and a book covering their travels.

Paradise Hotel (Cal Clements), Using Richard Foreman’s play, Paradise Hotel, as a framework for collaboration to bring together readers, actors, and artists in a series of performances. The play interrogates sexuality along philosophical and psychoanalytical lines and explores body-machine interactivity, the displacement of the subject, and the persistence of humanistic fantasies.

Scenes from the X-Ray Cafe CD Series (JoE Silva), the first in a series of several CD compilations of local sound and digital media artists participating in regular performance events at the X-Ray Cafe. CDs will contain unreleased/exclusive tracks, multimedia elements and original artwork and will culminate in an annual performance event.

Sporangium (Eric Marty), a collaborative sound and sculpture installation that envelops the viewer in a surreal environment of blood-red floral forms and ethereal, organic sound. The viewer/listener interacts with the visual-tactile-aural environment, stepping on rubber forms and influencing the sound through hidden sensors.

Temporary Excursions with a Relative Departure in Mind (Bala Sarasvati), a collaborative project that involves artists and performers from music, dance and art disciplines, joined together to create and present a performance featuring original choreography, stage design, and live renditions of Philip Glass compositions.

The projects were selected from eighteen proposals based on the following criteria:
– Intellectual and artistic merit
– Feasibility of the project under sponsorship of ICE
– Involvement of UGA students
-Extent of collaborative and interdisciplinary activity
– Degree of innovation
– Potential for future funding and development

Somos Pobres Pero No Hay Pobreza Aqui

2002-2003 ICE Project Grant
H. James McLaughlin
Professor
College of Education

A cross-cultural documentary chronicling the lives of three teachers in rural Mexico.

Somos Pobres Pero No Hay Pobreza Aqui (We Are Poor, But There Is No Poverty Here) is a digital video documentary that explores the educational system in rural Mexico through the lives of three sisters who are school-teachers in Xalapa, Mexico. The documentary was screened in June. The project strives to create a unique perspective on the issues of migration, language, culture and education in the United States and Mexico. H. James McLaughlin (Associate Professor of Education) was the project leader. The project includes videographer Kathryn Hammond (M.F.A. Drama), UGA students, faculty and recent graduates from Education, Drama and Art. McLaughlin and Jennifer McClung (graduate candidate, Foreign Language Education) are also supported by a Fulbright Fellowship, a Rotary International Teacher Grant and a Teaching and Learning Grant from UGA. The documentary is being distributed via Video CD to sensitize teachers, social workers, university faculty and students to the challenges faced in the educational process on both sides of the border.

 

Photography by John Bishop

eco-log

2002-2003 ICE Project Grant
Kate Ross
MFA Candidate
Lamar Dodd School of Art

A collaborative arts project between artists and community members that explores local ecology and the impact of urban sprawl.

eco-log was developed through community workshops and culminated in a series of May performances at the Canopy Studio Movement Arts Center in Athens. Catherine Ross (M.F.A. candidate, Printmaking) was the Artistic Coordinator and Producer. This ambitious and intensely collaborative project synthesized aerial performance (trapeze), dance, spoken word poetry, projected digital video, sound, installation and fiber arts. Sculptural forms and instruments were created from non-recyclable materials during the workshops, which reinforced the non-hierarchical, participatory methodology of the project. In addition to UGA students and volunteers from the Athens community, the performances featured the Gemini Twins, a professional aerial arts team formerly of the Cirque du Soleil and the reading of an original poem contributed by Scottish author John Wallace. Eco-log was supported in part by a project grant from ICE and received additional support from R.E.M., the Canopy Studio Movement Arts Center and the Lyndon House Arts Center.

Kate Ross and Topher Dagg

Photography by Tish Payton

Mobile Media Project

Kit Hughes “Tagging”

 

ICE and the New Media Institute (NMI) supported the collaborative development of four projects for handheld wireless devices in the Wireless Athens Georgia (WAG) zone in downtown Athens. Mark Callahan and Zane Wilson created an experimental interface called Latitude in a remote collaboration between Athens and Longmont, Colorado. Christian Croft (B.F.A., Digital Media) created a net artwork and performance that parodies the US Department of Homeland Security web site entitled Afterready. Kit Hughes (B.F.A. candidate, Digital Media) developed a project called Tagging that allows participants to draw virtual graffiti on locations within the WAG zone and collects the images in an online image gallery. Tara Rebele created an interactive hypertext-narrative project called Athens Wireless Escorts that explores social space and the handheld computer as fetish and companion. The projects were realized with the assistance of NMI students and faculty and premiered during the Go Mobile or Go Home wireless technology conference held in April, 2003.  

Christian Croft “Afterready”

Tara Rebele “Athens Wireless Escorts”

Mark Callahan and Zane Wilson “Latitude”

A Good Man is Hard to Find

2002-2003 ICE Project Grant
George Contini, Professor, Drama
David Volk, PhD. Candidate, Music

A chamber opera based on the story by Flannery OConnor.

This modern chamber opera, based on Flannery O’Connor’s short story masterpiece of the same name, is a collaborative effort that brings together talents and ideas from across the state of Georgia to participate in this unique theatrical experience. O’Connor’s short story, A Good Man Is Hard to Find, is about a Georgia family, traveling to Florida on vacation, who come across a serial killer, the Misfit. Their confrontation raises questions about redemption, faith, grace and common humanity in this dark comic parable.

The opera, which is an adaptation of O’Connor’s short story, is composer David Volk’s doctoral dissertation at UGA.

“This project has been a twenty-year dream that started in my undergraduate and masters program at FSU,” Volk says. “I was in an electronic music class at UGA when the idea to revive the project suddenly struck me. We were listening to Stockhausen’s “Gesang der Jungerlinge” and I suddenly realized that an electronic score would be a very effective way to set “Good Man” operatically.”

The opera does not rely on electronic music alone. There will be a full chamber orchestra to accompany the cast that will be conducted by Dr. Mitch Turner, a music professor at LaGrange College.

Ellen Ritchey, a soprano who is playing the Grandmother, received her Doctor of Musical Arts degree from UGA and is an adjunct instructor of music at Gainesville College in Gainesville, Georgia.

The opera is directed by George Contini, a professor in the Department of Drama and Theatre at UGA who last directed “The Laramie Project”. He says that the production is unique because every element from the design to the writing to the singing is a product of the southern American region.

“I think a college audience will really respond to O’Connor’s dark, grotesque humor,” Conini says. “Her skewed view of religion and ethics can be seen as a precursor to the warped work of Tarantino and Lynch. I applaud ICE funding such projects.”

Flannery O’Connor was born in Savannah, Georgia in 1925 and died from lupus in Milledgeville, Georgia in 1964. In those thirty-nine years, she contributed a brief, powerful canon (two novels, thirty-two short stories, plus reviews and commentaries) that continues to be studied. O’Connor is considered to be one of the most important voices in American literature.

The opera has been performed at the Seney-Stoval Chapel in Athens, Piedmont College in Demorest, Georgia, and was the featured event at the International Flannery O’Connor Conference at Georgia College in Milledgeville, Georgia.

The cast and crew are made up of UGA students, as well as professors from UGA and other Georgia colleges. A Good Man Is Hard to Find is a collaboration of the Department of Drama and Theatre and the School of Music and is supported by an ICE Project Grant and the Mary Flannery OConnor Foundation.

ICE Collab 3: Steve Dietz

Steve Dietz is the former Curator of New Media at the Walker Art Center in Minneapolis, Minnesota, USA, where he founded the New Media Initiatives department in 1996, the online art Gallery 9 and digital art study collection. He also co-founded, with the Minneapolis Institute of Arts the award-winning educational site ArtsConnectEd, and the artist community site mn artists.org with the McKnight Foundation.

Dietz has organized and curated new media exhibitions including Beyond Interface: net art and Art on the Net (1998); Shock of the View: Artists, Audiences, and Museums in the Digital Age (1999); Digital Documentary: The Need to Know and the Urge to Show (1999); Cybermuseology for the Museo de Monterrey (1999); Art Entertainment Network (2000); Outsourcing Control? The Audience As Artist for the Open Source Lounge at Medi@terra (2000); Telematic Connections: The Virtual Embrace (2001-02); a nationally traveling exhibition;Open_Source_Art_Hack (2002), with Jenny Marketou, at the New Museum, New York City; Translocations (2003), part of How Latitudes Become Forms at the Walker Art Center; State of the Art: Maps, Games, Stories, and Algorithms from Minnesota at the Carleton Art Gallery (2003); Database Imaginary (2004), with Anthony Kiendl and Sarah Cook, Walter Philips Gallery, Banff Center for the Arts; Fair Assembly, web-based projects for Making Things Public: Atmospheres of Democracy (2005), with Peter Weibel and Bruno Latour, ZKM, Karlsruhe, Germany; The Art Formerly Known As New Media (2005), with Sarah Cook, Walter Philips Gallery, Banff Centre, Container Culture (2006), with Deborah Dormer-Lawler, Zhang Ga, Alice Ming Wei Jim, Gunalan Nadarajan, Ellen Pau, Johan Pijnappel, Soh Yeong Roh, Yukiko Shikata, ZeroOne San Jose, Edge Conditions(2006), at the San Jose Museum of Art, and is curating selected projects for the Ingenuity Festival in Cleveland, Ohio, July 19-22, 2007. The next ZeroOne San Jose Global Festival of Art on the Edge will take place June 4-8, 2008.

Dietz speaks and writes extensively about new media, and his interviews and writings have appeared in Parkett, Artforum, Flash Art, Design Quarterly, Spectra, Salmagundi, Afterimage, Art in America, Museum News, BlackFlash, Public Art Review, Else/Where and Intelligent Agent; in exhibition catalogs for Walker Art Center, Centro Parago, Site Santa Fe, San Francisco Art Institute, and aceart; and in publications from MIT Press, University of California Press, and Princeton University Press.

He has taught about curating and digital art at California College of the Arts, Carleton College, the University of Minnesota, and the Minneapolis College of Art and Design. Prior to the Walker Art Center, Dietz was founding Chief of Publications and New Media Initiatives at the Smithsonian American Art Museum and editor of the scholarly journal, American Art.

www.yproductions.com