Fahrenheit

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Ciné
234 W. Hancock Street
Athens, GA 30601

Sat. April 18 at 7 pm
Sat. April 18 at 9 pm
Matinee Sun. April 19 at 4 pm

Highland Inn
Ballroom Lounge
644 N. Highland Avenue NE
Atlanta, GA 30306

Wed. April 22 at 9 pm

Featuring a nine-person team of cutting-edge artists from around the nation, Fahrenheit weaves film, live music, and storytelling into a stunning multimedia event. Presented with a live band, video manipulation, and two narrators, the show explores several themes inspired by Ray Bradbury’s classic sci-fi novel Fahrenheit 451: freedom of speech, the all-consuming power of the media, technology versus nature, and the idea of an endless war.

Fahrenheit unites the talents of film maker Eddie Whelan, talented actors Dan Bollinger and Laylage Courie, and the intrepid international indie-jazz ensemble, Kenosha Kid. Each team member is an extraordinary artist in their own field, and many lead similar productions, be it in Georgia, California or New York City.

Dan Nettles ~ Athens, GA ~ composition/guitar www.KenoshaKid.com
Jacob Wick ~ NY, NY ~ trumpet www.myspace.com/jacobwickmusic
Greg Sinibaldi ~ Seattle, WA ~ tenor/effects www.GregSinibaldi.com
Neal Fountain ~ Athens, GA ~ bass www.AllAboutJazz.com/php/article.php?id=4569
Aryeh Kobrinsky ~ NY, NY ~ acoustic bass www.myspace.com/Brinsk
Jeff Reilly ~ LA,CA ~ drums www.myspace.com/JeffReillyDrums
Eddie Whelan ~ Athens, GA ~ visuals www.EddieTheWheel.com
Laylage Courie ~ NY,NY ~ reader www.myspace.com/LuminousWork
Dan Bollinger ~ Athens, GA ~ reader www.DanBollinger.com

Says bandleader/composer/guitarist Dan Nettles:

“The music for Fahrenheit was written in the summer of 2007 after being commissioned to compose for a stage production of Fahrenheit 451 in Brunswick, Georgia. The fine folks down there at the Ritz Theatre produced the event as part of the NEA’s Big Read Initiative. Basically I read through the book, and pulled out scenes and characters that I felt drawn towards. Some songs were slow and beautiful, some were angry, a few even were just hilarious, but all the material had the same synthetic sci-fi sheen to them that really fascinated me. At the time, the music was only a small part of the show, and I knew that I wanted to revisit the whole thing again in a more abstract style of performance. When Eddie Whelan and I got together over the ICE Project Grant, the time had come! The nine or ten musical events became the centerpieces, and Eddie and I hammered out an outline for the whole show. Rather than providing a narrative, the scenes explore the general themes of the book: tyrannical destruction, freedom of speech, oppressive government, endless war, natural beauty, the media blitz, and the few people who keep the creative life alive. Eddie used the existing musical forms to put together images for each scene, and using ‘VJ’ technology, he actually improvises along with the band. I handed the basic text ideas over the fabulous Laylage Courie, who came back with a whole new dimension for the event by providing both concrete dialog and interesting internal events for each scene. The whole show lives in its own strange futuristic world… a fragile, crystalline place struggling to bring into balance mankind’s desire to homogenize the world with the inevitable chaotic nature of the human spirit.”

Says author/actor Laylage Courie:

“The most memorable part of Bradbury’s work for me was always the startling clarity of his imagery. Despite the great storytelling, the books read like prose-poems. Dan made a great framework for highlighting the beauty of the imagery – it captures the impressionistic emotions that are much bigger than the simple narrative.”

Fahrenheit is supported in part by a 2008-2009 ICE Project Grant.

Studio 401: Translating Media

Studio 401: Translating Media
Saturday March 28, 2009
UGA Visual Arts Building (Jackson Street) from 8-9:45 PM
& the Ernest G. Welch School of Art and Design from 9-9:45 PM

Studio 401: Translating Media is a collaborative multimedia production occurring simultaneously at Georgia State University and UGA whereby live measurements of brain activity and biofeedback from some participants affects the actions of others via transmission over the Internet. Orchestrated by BFA candidate Daniel Osborne, the production will feature the parapsychologic drawing experiments of Craig Dongoski, digital sound realization of brainwave readings by Eric Marty, the improvisational body movements of Denise Posnak, Julie Rothschild, and Shana Robbins; and live modulation of a poetry reading by Michael Tod Edgerton. Supported in part by a 2008-2009 ICE Project Grant.

Zachary Lieberman Residency

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Zachary Lieberman Residency
March 16-20, 2009

Zachary Lieberman Residency
March 16-20, 2009

The Zachary Lieberman Residency, hosted by ICE, continues this week with lectures, workshops, and an exhibition.  Zach will be offering public workshops on beginning and advanced coding and talk about how he creates art with technology. Feel free to drop by ICE and the gallery this week during the exhibition installation to meet Zach and collaborator Taeyoon Choi.

1. Public Lecture/Performace: “Making the Invisible Visible”
Tuesday, March 17 at 5:30 PM
Lamar Dodd School of Art Room S151

2. Workshop: “Hello World: Beginners’ Level Computer Programming for Art”
Wednesday, March 18 at 11 AM and 5 PM (everyone is welcome for one or both sessions, bring laptop computer)
ICE Studio, Lamar Dodd School of Art Room S160

3. Dance Department Lecture
Thursday, March 19 at 11:00 AM
Dance Building Media Center & Classroom

4. Workshop: “Advanced Code/ Introduction to openFrameworks”
Thursday, March 19 at 6 PM (everyone is welcome, bring laptop computer)
ICE Studio, Lamar Dodd School of Art Room S160

5. Theatre and Film Studies Colloquium
Friday, March 20 at 12:20 PM
Fine Arts Building Room 53

6. Exhibition: “Point A to Point B”
Opening Reception/Gallery Tour Friday, March 20 from 5-7 PM
Lamar Dodd School of Art Gallery 101
Exhibition continues until March 28

Ideas for Creative Exploration (ICE) is pleased to host Zachary Lieberman for an exhibition and week-long residency at the University of Georgia, supported by the Willson Center for Humanities and Arts. For more information about Zachary Lieberman visit: http://thesystemis.com

Zachary Lieberman’s work uses technology in a playful and enigmatic way to explore the nature of communication and the delicate boundary between the visible and the invisible. He creates performances, installations, and on-line works that investigate gestural input, augmentation of the body, and kinetic response.

Working with collaborator Golan Levin, he created a series of installations – “Remark” and “Hidden Worlds” – which presented different interpretations of what the voice might look like if we could see our own speech. These were followed with “Messa Di Voce,” a concert performance in which the speech, shouts and songs of two abstract vocalists were radically augmented in real-time by interactive visualization software. The collaborators have toured and exhibited their works widely, much to the delight of their audiences. Lieberman’s installation / performance “Drawn,” in which live painted forms appear to come to life, rising off the page and reacting to the world around them, recently won awards in the Ars Electronica and CYNETart competitions. Most recently, he presented “Opensourcery,” collaboration with Spanish magician Mago Julian, in which open source software is combined with traditional close-magic to create a completely new realm of tricks.

Lieberman has held artist residencies at Ars Electronica Futurelab, Eyebeam, Dance Theater Workshop, and most recently at the Hangar Center for the Arts, Barcelona.

Lieberman is currently developing a suite of software for disabled students that transforms their movement into an audio-visual response as a means for performance and self-expression. He is also collaborating with Theo Watson on an open source toolkit, openFrameworks, for creative coding in c++.

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Zach Lieberman ICE Residency catalog design by Moon Jung Jang

Move Over, Music: Arts festival goes beyond tradition

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Media Credit: Danielle Moore
 
February 23, 2009
The Red and Black
link to original article

Move Over, Music: Arts festival goes beyond tradition
By Katie Andrew

Saturday was a great day for West Hancock. Starting at 3 p.m. with a lively street parade featuring the band Dark Meat, dozens of cultured citizens and a throng of passionate supporters banded together to celebrate the third annual AUX Experimental Arts Festival at Ciné and Little Kings.     

Move over, music – art is comin’ through.

“It’s a one-day event that has kind of short performances, an outside art [market], a video screening and a sound installation,” said Mark Callahan, artistic director of  Ideas for Creative Exploration (ICE). 

“ICE is an interdisciplinary initiative for advanced research in the arts at UGA,” Callahan said. “Our main goal is to be a catalyst for interdisciplinary dialogue. The AUX festival is really terrific because it gets a lot of dialogue happening in the University and in the community. It generates a lot of excitement about experimental things that are beyond the traditional.” 

Callahan describes AUX3 as an Athens adaptation of a Fringe festival. 

“Athens is such a cultural magnet,” he said. “We wanted to do a project that would feature the more experimental side.” 

It was unclear at first what made this event so “experimental” – but not for long. As more musicians, dancers, visual artists and filmmakers came forth to share what they had to offer to an eager audience, a theme became abundantly apparent. 

Many of the AUX3 contributors put in the time and effort to really stretch their talents through partnership, innovation and expression across multiple mediums.

It’s definitely a collaboration,” said performer Julie Phillips of the act Maps and Transit, who performed at 9:30 p.m. at Cine. Phillips, a trapeze artist with Canopy Studios, performed a mid-air routine with aerial fabrics to the musical stylings of Kyle Dawkins, a member of the Georgia Guitar Quartet. 

“We’re also having a friend of ours, Chris Wyrick, painting and projecting [what he’s working on] behind us during the performance,” Dawkins said. 

He said although the act is “still forming,” the three-piece couldn’t resist the chance to take the Cine stage in support of AUX3. 

“I think a lot of people don’t realize how important the arts are to the economy in Athens,” he said “When you have artists in a town, you’re going to have a better community.” 

AUX3 didn’t just exhibit the collaborative projects of different types of performances. Local crafts merchants were also given a chance to share their passion at the Artists Market. 

University art student and accessory designer Rhys May was there with bells on to promote her philanthropic project RhysPeace. For every item sold, May donates 10 percent of the net sale to one of four organizations of the customer’s choice: Food Not Bombs, The Athens Land Trust, BikeAthens or Susan G. Komen for the Cure Global Promise Fund. 

“I love making art, and I love helping people,” May. “I figure if I can do something that I love and said help other people at the same time, that’s awesome.”

Serra Ferguson, who crafts accessories from vintage materials, stresses the important of events like AUX3 to the local economy. 

“I support people making a living on their art. I’ve been doing it for 10 years,” Ferguson said. “Everything is better on the local level. You can’t support these huge box stores; you can’t support something that has to be making millions of dollars just to function.”

Local jeweler Kenneth Kase also enjoys the atmosphere of support for local commerce that is bolstered by AUX3. 

“It’s important to support anything local,” Kase said. “The more you help your community, the more your community will help you.”

Festival an amalgamation of experimental sights and sounds

February 18, 2009
Athens Banner-Herald

Festival an amalgamation of experimental sights and sounds
By Julie Phillips

To be sure, experimental music is just a part of the vast spectrum of genres that interests Athens musician Heather McIntosh.

This weekend, for instance, she’s organized the third annual Aux Music Festival – Aux being short for auxiliary, meaning solo music projects her friends do outside their membership in local bands.

These projects tend to be experimental and decidedly outside the mainstream.

At the same time, McIntosh won’t be able to attend the festival because she’ll be playing music of an altogether different tune – of mass appeal. She’s touring with Lil’ Wayne – a gig that landed her on stage at the Grammys earlier this month.

She got the word this week that she’d be back on tour and would miss Aux, but knew it was a possibility and was ready for it.

She says thanks to the University of Georgia’s Ideas for Creative Exploration (ICE) program, she has helpers for Aux as well.

“I’ve had a pretty firm grip on the curatorial level and organization – (but) it’s nice to know it can function without me,” McIntosh says. “And the Internet and cell phones are awesome,” she adds of both planning and pulling off the event.

As for the Grammys, celebrity spotting has become a fixture considering McIntosh also recently did a tour with Gnarls Barkley. But, she says, the event certainly offered some highlights.

“The best person I got to meet was Charlie Haden, who was bass player for Ornette Coleman, and I got to totally geek out on him. I got to tell him ‘Liberation Music Orchestra’ was my favorite record on Earth.”

McIntosh, who graduated from the UGA music school, also is a cellist and has lent her talents to numerous bands around town over the years, while also heading up her own, The Instruments.

She says AUX is an important festival to her because of its experimental and often improvisational nature.

“I’ve always been a huge fan of collaborative and experimental arts – that’s sort of where my heart is,” she says. “And I know that can be sort of distancing to a lot of people who like music. They kind of get a little nervous when you say ‘experimental.’ But I’ve been so lucky to play with so many people where experimental music can really lead to a great party. Deonna Mann, who’s going to be coming this year and is one of our headliners – she’s one of the first people I ever played with in town. … And the Melted Men, that was sort of my first scene in town. And so, that stuff is just my favorite – and it can really blow your mind.”

The festival takes place from 3 p.m. Saturday into the wee hours of Sunday, and will include kids and adult modern dance performances, video and an arts market, all for the affordable price of $5.

McIntosh says she hopes to add in coming years an outreach element for children to have an opportunity to experiment with electronic music.

In the meantime, she’s filling her schedule with touring the country with Lil’ Wayne and hoping there’ll be more to come.

And lucky for Athens, her ties to the town remain.

“I was living out of my suitcase pretty much from the time I moved to New York four years ago,” she says, adding for that reason, it didn’t make sense to be paying rent there – especially when she was coming through Athens to visit friends, too. “It’s good to be able to come home to Athens,” she says.

Colorful Experimentations in Art and Music

February 18, 2009
Flagpole Magazine

Colorful Experimentations in Art and Music
By Gordon Lamb 

Even as the Athens music scene becomes ever more surely adopted into the pure mainstream of Athens society, the experimental arts continue to work at their own pace and, indeed, in their own sphere. While it may be tempting to assume the artists involved are marginalized by the seeming non-stop rock and roll party that distinguishes downtown Athens in 2009 from, say, even 1995, the fact is that the players and performers of this weekend’s event, many of whom are in their own more readily accepted combos, operate by the earliest of Athens’ music credos: if you want to see it or hear it, make it yourself.

That’s the remark one will get from festival founder and organizer Heather McIntosh. “You have to make it happen or be willing to find it,” she says. Now happening for the third time, the AUX Festival is a one-day event dedicated to pure creativity. For 2009 AUX has expanded to feature a substantial artists’ market, a kids’ performance, 10 video artists, modern dance and 18 musical performances taking place in two venues, Ciné and Little Kings Shuffle Club. Scheduled to last a mere 11 hours, from 3 p.m.–2 a.m., it comprises a veritable marathon of stimulating engagement.

McIntosh is well known around Athens from her years-long involvement with the music scene. Her connection to Athens, though, preceded her arrival by several years. “I first came to Athens when I was a freshman in high school. I’d seen [1987 documentary] Athens, GA: Inside/Out and I came during spring break with my parents, and it was so perfect,” she says. “We used to drive through Athens on the way to my grandparents’ house.” A key meeting during this time influenced her decision to eventually study music at the University of Georgia. “The town was kind of empty because of spring break, but cello professor Dr. David Starkweather was around, and I made an appointment to meet with him. It was cool that he took the time to speak to a 14-year-old girl who wanted to study cello.”

After moving to Athens circa 1993 to study cello and electronic music, McIntosh began working at Jittery Joe’s original Washington Street location (bar Max Canada now occupies the space) and, from there, immediately began playing with other local musicians. She did time in punk band Year Zero, pop band Snowball and eventually joined instrumental band Japancakes. Perhaps most importantly, though, McIntosh began playing music with someone who had already indelibly placed her mark upon Athens: Deonna Mann.

“The second I started working at Jittery Joe’s I started playing with Deonna and [then-Athens musicians] Omar [Khalid] and Katja [Seltmann]. Around that time I started playing with [installation-oriented musicians and artists] Dixie Blood Mustache and that was my introduction to all the Elephant-6 stuff,” she explains.

Mann, with her boisterous personality (to put it mildly) and daily recreation in terms of personal costuming and free flowing, non-stop doing of art and music, personified the ethic of doing it yourself. And once a person had been witness to any of Mann’s creations, it was clear that she was a monumentally singular personality.

Having lived in New York for the past few years, Mann cherishes her Athens friends and says, “It is a true joy to work in Athens with my closest friends and family. It is so great to be supported from home. Without this web of love I could not have accomplished living in New York.”

Mann returns to Athens this weekend to perform at AUX with her Medaglia d’Oro Orchestra. Mann first created Medaglia d’Oro in the early 1990s here in town. The show she will present is named “Liquifaction” and will feature two sculptures by artist Beverly Babb, “This Is for You” and “Mother’s Finest.” Mann says of the show, “Liquifaction is the special effect that occurs during a shockwave when ground sediments turn to run like water. I would like to give you an equatorial essence of carnival – a tiny splash of what could possibly be Victorian and apocalyptic, i.e., slightly upsetting.” Further, Mann says to expect “throbbing and haunted music by a fluid line-up of pros. Medaglia d’Oro delivers a cavalier suspension for whatever I may expose visually.” Therein we have what is, really, the heart of AUX, which is presented in conjunction with UGA’s ICE (Ideas for Creative Exploration). That is, everything blends seamlessly and naturally. There’s no separation between music, art and dance. AUX recognizes and encourages the synergy between art forms.

When asked whether they would hold art or music as their first love, both McIntosh and Mann are quick to make almost no distinction between the two. McIntosh says, “I love it when it all comes together. I’m a big fan of integrated media and seeing how other people can incorporate all that stuff together. All the tendrils influence and inspire the other parties.” For her part, Mann holds, “I’ve always been spoiled not to have to separate a love of art and music. Blending the two makes my life worthwhile.” It seems a safe bet the same could be said for the rest of this weekend’s lineup, too.