2009 CURO Symposium

Undergraduate Research in the Arts
2009 CURO Symposium presentation opportunity
Deadline: January 19, 2009

UGA undergraduates are invited to share creative work at the annual Center for Undergraduate Opportunities (CURO) Symposium to be held April 6, 2009 at the Classic Center in dowtown Athens. Research in the arts will be featured during afternoon presentations and an evening reception. Presentation formats may include performance, visual art, readings, screenings, and demonstrations.

Participants will be chosen based on a competitive selection process, students should have a 3.4 minimum GPA or be a part of a university-wide research program. Works may include, but are not limited to art, dance, music, theatre, and creative writing. Interested students may contact Mark Callahan.

For more information about CURO please visit http://uga.edu/honors/curo/

Upholstered by Brahms

Thursday, November 20 at 5 PM
ICE, Room S160, Lamar Dodd School of Art

Upholstered by Brahms, with O.B. Bassler, a follow-up to the acclaimed ICE poetry hour, Cross-railroading and logical repair. Textures from quest to prose unadulterated by re-orchestration, with a liberal application of pillow ticking.

Satellite Dishes, Moveable Walls and a Snowscape (Part 1)

Satellite Dishes, Moveable Walls and a Snowscape (Part 1)

A performance featuring live music by Divided Like a Saint’s, experimental dance, Wiimote technology and colorful costumes.

Friday, November 14, 2008 & Saturday, November 15, 2008 8:00pm

ATHICA: Athens Institute for Contemporary Art, Inc.
160 Tracy Street, Unit 4
Athens, GA 30601 USA

Dancers: Allison Barfield, Jayma Lallathin, Margeaux Maerz, Meghan Thurman, Lydia Clark and Jennifer Morlock and choreographer Maryn Vance.

Musicians: Toby Broadie, Rob Peterson, Jonathan Vance and Tim Vance.

$6.00-$9.00 suggested donation, but no one turned away for lack of funds.

ATHICA: Athens Institute for Contemporary Art is delighted to be hosting Satellite Dishes, Moveable Walls, and a Snowscape (Part 1), an original performance event created by the husband and wife team of Maryn & Jonathan Vance, the artistic duo behind Divided Like a Saint’s. The live event will take place at ATHICA on November 14 and 15, 2008 at 8:00 pm and will feature original music, experimental dance, colorful costumes and Wiimote technology. The event, which will run approximately an hour, is supported in part by an ICE Project Grant. ICE (Ideas for Creative Exploration) is an interdisciplinary initiative for advanced research in the arts based at the University of Georgia.)

Satellite Dishes, Moveable Walls, and a Snowscape, Divided Like a Saint’s latest creation, features a ten-foot diameter satellite dish which the Vance duo recovered from a friend’s backyard. At one point the performers will take the satellite dish apart into sections and use the pieces as costumes, commenting on the obsolescence and rapid evolution of technologies, as well as wryly proposing the possible artistic reuse of the outdated technologies that litter our landscapes. Other delightful costume elements are hundreds of multi-colored braids they have fashioned which complement their colorful custom costumes. And while the elaborate musical score consists of ten new compositions written by Jonathan Vance, his brother Tim Vance (Oh No They Didn’t), and drummer Toby Broadie (Rat Babies), additional sounds will be produced by the dancers. For instance, in one section they move around wearing brightly painted ski-like 2×4’s strapped to their feet. “Musically we are experimenting with telepathy, dream-like scales, and meandering chord progressions that do not necessarily repeat,” states Jonathan.

The performance will utilize Wiimote technology–the same technology that drives the popular home video interactive game–allowing Jonathan to manipulate text and images projected on the gallery walls using a handmade infrared lightpen. (And for the technogeeks out there, a bluetooth protocol is being used to allow the wiimote to talk to the computer.)

Local dancers, Allison Barfield, Jayma Lallathin, Margeaux Maerz, Meghan Thurman, Lydia Clark and Jennifer Morlock will perform alongside choreographer Maryn Vance.

The Vances are known for combining experimental dance, live music and elaborate production elements. They formed Divided Like a Saint’s (myspace.com/dividedlikeasaints) in 2004 and have toured the United States extensively since, with the group involving a rotating array of other artists for each of their projects. After relocating from Atlanta to Athens in spring of 2007, the group teamed up with local upstart label/music collective Party Party Partners.

Maryn is a choreographer who received her BS in dance from UGA in 2001. She has performed locally at Floorspace, as well as at many national venues. Choreographically, she draws from traditional dance, raw, pedestrian movement, and improvisation. Maryn originally thought of the concept for the show in May 2007 and the Vances will develop the project and present an even more elaborate outdoor version in April 2009. (These performances will serve as part of Jonathan’s senior thesis for an interdisciplinary Bachelor of Science with an emphasis on Live Art Production.) Divided Like A Saint’s musicians are known for their intriguing mix of analog electronic devices, electronically modified vocals, and unusual uses of percussion instruments. For samples please see: www.myspace.com/dividedlikeasaints.

The Vance’s have performed twice before at ATHICA. Both were such fascinating events that ATHICA Direcctor Lizzie Z. Saltz was thrilled when the Vance’s approached her with the idea of presenting this ICE supported project at the space. The first time that Saltz witnessed Divided Like a Saint’s unique combination of dance, theatrics and experimental music was in spring of 2008 as part of performance night organized by the Elephant Six collective’s own John Fernandes, which was affiliated with the Adventures in Mysticism exhibit and included trenchant and timely middle-eastern and feminist tropes. The second was Prisma Peek-A-Boo in summer 2008, a custom performance piece that animated UGA MFA candidate Kim Deakin’s wearable sculpture, which was performed as the closing event of the ATHICA Emerges II exhibit. As Zucker Saltz puts it “Divided Like a Saint’s work consistently pushes the experimental envelope, but does so in such a way that the audiences are continually engaged with the fascinating interplay of movement, sound and costume, as well as content that is always vivid, but difficult to characterize.”

Body of Work

November 5, 2008
Flagpole Magazine
link to original article

Flagpole Art Notes
by Rebecca Brantley

Body of Work: Also located on the first floor of the art school is an installation by MFA candidate Brian Hitselberger in the ICE (Ideas for Creative Exploration) Studio that will be up through the fall semester. Drawn onto a transparent ground and fitted to the windows of the ICE Studio, Hitselberger’s black-and-white drawings can be seen from inside and out, looking dramatically different from the two vantage points. Somewhat difficult to see behind the glare of sunlight on glass from outside, the shapes appear stark and geometric; from inside every individual hatch mark can be distinguished. The bottom register of drawings consists of two silhouetted profiles facing away from each other two different directions. Above these drawings are two drawings of groups of figures – three men that appear to be walking or moving – and the upper register shows long arms that have been cropped so as to be detached from an individual body as they reach into piles of twigs and branches. The two images of dissociated heads at the bottom of the installation suggest solitude, while the second tier of drawings shows figures in groups of three, though they still appear to be separate and clone-like entities. The top two drawings show fragmented arms and heads detached from individual bodies and reaching into masses of organic debris as if to suggest a fusion of individual elements into a single mass. Finally, there seems to be a move from images of the body and physical sensation at the top to thought and cerebral isolation at the bottom, perhaps reversing stereotypical hierarchies that place thought and logic above the body and sensation.

Quench!

Quench!: On Art, Politics, and the Election
Wednesday October 29, 4:30 PM
Miller Learning Center (formerly SLC), Room 150

Quench! is a series of discussions sponsored by ICE.

Presenters:

Mayor Heidi Davison: Mayor of Athens; prominent supporter of the University of Georgia and the arts.

John English: freelance author, journalist, and arts supporter; Professor Emeritus in the Grady College of Journalism and Mass Communication.

Ryan Lewis & Jeff Griggs: members of local bands who designed ObamaRad t-shirts (obamarad.com)

Richard Zimdars: professor of piano performance in the Hughes Hodgson School of Music; pianist, scholar, and lecturer.

This event is free and open to the public.

Georgia

Friday, October 24
6:00 PM
Jittery Joe’s Roastery (780 Broad Street)

A multimedia collaboration among

Seth Hendershot: music
Jocelyn Negron: fashion design
Denise Posnak: dance
Andrew Zawacki: poetry

Georgia is a collaboration of Creative Writing Professor Andrew Zawacki, visiting Dance faculty member Denise Posnak, acclaimed percussionist Seth Hendershot and Digital Media BFA candidate Jocelyn Negron. The quartet will conduct a formal exploration of the parallels and interferences between ear and eye, proceeding from the short lyric poem Georgia by Surrealist writer Philippe Soupault and culminating in a series of short performances in locations throughout the state.

Supported in part by an ICE Project Grant.