ICE Open House: contain-decay

Wednesday, October 12 at 7:00 PM
ICE Room, Tanner Building Room 101

An interactive sound and video performance by Ben Joel Coolik and Eric Marty (STREAM). Ben Coolik is a collaborative artist who brings sound, light and explorative technologies together in performance. He holds a Masters degree in theatrical design from UGA. Eric Marty is an award- winning composer and sound artist active in the US, Canada, France and Germany. He holds a PhD in composition and computer music from the University of California at Berkeley and teaches sound and interactivity in the departments of Art and Music. Studio for Research in Art and Music (STREAM) is an Athens-based effort to foster innovation in the arts through public performances, exhibitions and workshops.

ICE Open House: ArtScience

Wednesday, September 28 at 6:00 PM
ICE Room, Tanner Building Room 101

An evening of informal presentations featuring Dr. Jason Cantarella, Laleh Mehran, and a window installation by Amanda Burk. Dr. Jason Cantarella, Professor of Mathematics, will screen digital animation from the Math and Visualization workshop and share his work with geometric knot theory. Lamar Dodd School of Art Professor Laleh Mehran will select key contemporary works at the intersection of art and science and discuss her genre-blurring series, The Xerces Society. Meet Amanda Burk, a graduate candidate in Printmaking, and explore her interior/exterior window installation at ICE.

The Ticket

One of the most exciting collaborative projects this year is The Ticket, developed by the Interactive Performance Lab in the Department of Theatre and Film Studies and the Chicago Theatre Company Studio Z. Written by Daniel Zellner of Studio Z, this commedia del arte style production includes actors, designers, computer programmers and media specialists. The performance features actors within improvised scenes interacting with film and 3D animation. The Ticket premiered at The Second City in Chicago in March 2005.

AUX CD

A collection of experimental sound from Athens, Georgia, presented in a limited-edition CD package, available at https://ugaartscollaborative.com/aux/. 

The project features 18 audio tracks by various artists associated with the famed Athens independent music scene. Designed by graduate students in the Lamar Dodd School of Art, the packaging is entirely hand printed and assembled using archival materials.

AUX was developed over three years with the support of ICE. Curators JoE Silva, Heather McIntosh, and Steven Trimmer selected a range of artists for the project, representing diverse means of production and approaches to sound.

The AUX Web site was developed by John Crowe with the support of a Center for Undergraduate Research Opportunities (CURO) Summer Fellowship.

Featured Artists
Paul Thomas
Chronicle Ape and the New Sound
Javier
Sarah Black
Korena Pang
W. Cullen Hart
Noisettes
Heather McIntosh
Make Out Music for Insects
Blake Helton and Colin Bragg
Desk Pussy
Mark Fisher
Hannah Jones
Matt Williams
The QRM
The Leapyear
Pelican City
Manipulated Sound Source 

Design Team
Danielle Benson
Amanda Burk
Stephanie Dotson
Audrey Molinare

Ochre With

The 2005 ISCM World Music Days, held this year in Zagreb, in conjunction with the Music Biennale Zagreb, played host to an audio installation by Canadian-American composer and sound artist Eric Marty. Marty’s Ochre With represented the US in this year’s festival, which took place from April 15 – April 24 in the Croatian City.

Eric Marty is an Athens based composer and sound artist, and winner of several international awards, including the 1998 Stauffer prize from the Canada Council for the Arts, the 2004 ALEA III International Composition Prize, and a fellowship from the Akademie Schloss Solitude in Germany for the year 2006. 

The first World Music Days were held in 1923 in Salzburg, and have been held every year since (except during World War II). Organized by the ISCM (the International Society for Contemporary Music), the World Music Days Festival is one of the world’s most important venues for contemporary music. This year’s World Music Days featured the music of 79 composers from 37 countries. 

The Music Biennale Zagreb (held every two years since 1961 in the former Yugoslavian city of Zagreb) played an important role during the Cold War in bringing together music of the East and West. In its first years, the Kremlin and the State Department both financed delegations to the Yugoslavian festival, which welcomed the Bolshoi Ballet and Moscow Philharmonic, the Berlin and Hamburg Operas, and composers Igor Stravinsky and John Cage. Today, the Biennale continues to be an important component of the European festival circuit.

Marty’s installation, Ochre With, was supported by the Canada Council for the Arts and by ICE. The interactive work is a sound environment featuring flocks of ethereal, bird-like sounds flying about the audience in three dimensions. A computer hears the audience walking through the exhibition space and alters the behavior of the sound environment in response to what it hears. Ochre With was also exhibited in 2003 at the Atlanta Contemporary Art Center. 

Ochre With belongs to a series of works called the With Triptychs, a series which includes three works for orchestra, three works for piano and three sound installations. Liquid With, an orchestral work from the series, won a Morton Gould award from ASCAP. That work and three others from the series were funded by the Canada Council for the Arts. 

Eric Marty was born in 1969 in San Francisco, and studied composition in Montreal, Canada and Berkeley, California. He has taught at the San Francisco Conservatory of Music, The University of California at Berkeley, and now teaches sound art, music theory, and interactive performance at the University of Georgia.